A Lesson in Postmodern Deconstructive Vulgarity TheoryI have a theory that Comedy Central is a microcosm of our society. It's a stupid theory, I know, but it is my own and that counts for something. Anyway, my brother let me borrow his
Strangers with Candy DVDs, and as I was watching them, I began to see past the blatant vulgarity and button-pushing offensiveness of it all, to a deeper level of social commentary. Perhaps it's not meant to be yucky in and of itself (or funny, for that matter), but is instead a brave statement that our culture puts up with far too much yuckiness, and perhaps we should return to a simpler time of pleasant politeness, with occasional "hi-jinks" a la Richie Cunningham and his sidekick Ralph.
Back to the Comedy Central angle: SWC was cancelled a few years ago to make room in the schedule for the gifts to our culture known as
The Man Show and
Crank Yankers. Neither of these "shows" offer us any social commentary. They are, in fact, the model of the genre of "show" that Amy Sedaris, Steven Colbert and Paul Dinello are using as a foil to invade our consciousnesses with deeper meaning.
So, in summation, the network shows us a crass and repugnant version of ourselves, and anyone who questions it, however subtly, gets fired.
PS I have been a little slow in my hipness these last years and am only now attempting to catch up with what's already been "in" and gone, so forgive me for just now realizing the sociological significance of SWC.
PPS I'd love to eat Amy Sedaris'
cupcakes. And I don't usually like sweets.